Photography

Photography

One grade, or none

All photography shares one warm, soft grade, so it sits naturally next to both blue and orange. When there is no strong photograph, use type with a gradient or a wing. A confident layout without a photo beats a mediocre photo.

One grade, or none

All photography shares one warm, soft grade, so it sits naturally next to both blue and orange. When there is no strong photograph, use type with a gradient or a wing. A confident layout without a photo beats a mediocre photo.

Style

Our photography shows real Bluebird people and places, never stock: professional photos of the team, of our clients, and of the offices and working environments where the work happens. Everything is graded the same way, so it sits naturally beside both blue and orange.

Our team

Professional portraits and group shots of the Bluebird team: head and shoulders, with the eyes on the upper third of the frame.

Clients

Photos with clients, where they agree to it: real conversations and moments from the work, never staged.

At work

Office and working environments: calm, lived-in spaces, with the person within the room and space to breathe.

One grade

Slightly warm, soft highlights, lifted blacks, and light grain, applied before upload so every photo sits beside both blue and orange.

No repeats

No portrait appears more than once per page. When there is no strong photo, use large type with a gradient or a wing instead.

Emotions

Emotions

Every photo should make someone feel understood, not sold to. The feeling comes first: if an image is technically good but feels cold or staged, we do not use it.

Every photo should make someone feel understood, not sold to. The feeling comes first: if an image is technically good but feels cold or staged, we do not use it.

Trust

Relaxed eye contact and open posture. People who look like they have done the job themselves.

Warmth

Genuine smiles and ease between people. Never forced laughter or exaggerated gestures.

Quiet confidence

Assured expertise without posing. Ambitious, but patient, and never in a hurry.

Category and atmosphere

Category and atmosphere

Our photography shows Bluebird as it really is: calm, capable and human. Think editorial rather than corporate, with real people in real workplaces, natural light and room to breathe.

Our photography shows Bluebird as it really is: calm, capable and human. Think editorial rather than corporate, with real people in real workplaces, natural light and room to breathe.

Natural light

Daylight over flash. Warm, soft and a little imperfect, the way a good office actually looks.

Candid, not staged

Conversations, thinking and small moments of the work, instead of posed handshakes and stock gestures.

Room to breathe

Calm compositions with space around the subject, so a headline or gradient has somewhere to sit.

People

Show the people behind the work. Head and shoulders for portrait cards, with room to breathe for team, client, and workplace shots, and the subject off-center, opposite the headline.

Neon laptop
Man working on a laptop
Man coding
Man working with two monitors
Man coding

Imagery with people

Imagery with people

People are the heart of Bluebird, so most of our imagery has a person in it. Use real team members, clients and candidates who have agreed to be photographed, never stock models.

People are the heart of Bluebird, so most of our imagery has a person in it. Use real team members, clients and candidates who have agreed to be photographed, never stock models.

Portraits

4:5, head and shoulders, with the eyes on the upper third of the frame.

In context

3:2, with the person inside the workspace and room to breathe around them.

One person, once

Do not repeat the same portrait more than once on a page.

Off-center

Place the subject opposite the headline so text and face never compete.

Work setting

Show the place where the work is being done. Warm but corporate settings where people are actually at work. This creates a level of authority to balance the approachable portraits.

Man working on a laptop
Man working on a laptop

Images in combination with text

Subtle dark gradients are used to combine text with imagery. This ensures that text will always stay readable. Multiple gradients can be used to highlight different parts.

Man working on a laptop
Man working on a laptop
Man working on a laptop
Man working on a laptop